| The Gerald Massey Lectures Originally published in a private manuscript edition circa 1900 |
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Greek Mythology
Gnostic & Historic
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GREEK MYTHOLOGY If the author of Juventus Mundi could but turn to Egypt, and make a
first-hand acquaintanceship with its Symbolism, I think it would enlighten him
more than any amount of listening round to those deluding Aryanists, respecting
the origin, derivation and meaning of the Greek Mythology. For example, let us take the case of the god Apollo, who is related to the
sun, and yet is not the sun itself. The Solarites can shed no light upon the
darkness of Mr. Gladstone's difficulty. Writers who talk about mythology being a
"disease of language," and know nothing of the gods as Celestial
Intelligencers and time-keepers for men--chief of which was the sun, when the
solar year had been made out; still earlier, the moon in its various phases--can
lend us no aid in penetrating the secrets of this ancient science.
"Solar-worship" is good enough for them, but it will not explain
mythology to us, or to itself. The child of the sun, re-born as Lord of Light in
the moon, has never come within the range of their vision. Yet it is the simple
fact in natural phenomena, which was represented mythically as the mode of
making it known, of teaching it by means of the Gnosis or science of knowledge,
as one of the mysteries, so soon as the discovery had once been made; and this
is one of the most important of all the factors in mythology. I would suggest to Mr. Gladstone that the Greek Apollo is the same soli-lunar
personification as is Thoth (Taht or Tehuti), and Khunsu (or the soli-lunar
Horus), this is, the child of the supreme divinity in Egypt, the solar Ra, as
his light by night--whilst he himself is the god who is hidden from sight in the
under-world--his vice-dieu of the dark. Apollo is designated Lukgenes, or
light-born. He is the image of the solar deity, the reflection of his glory in
the lunar disk. Every phase of character in which Apollo appears, especially as represented
by Homer, can be identified as pertaining to the male moon-god in Egypt, and the
common basis of all may be found in those natural phenomena which are indicated
in previous pages. In these natural phenomena, there is a common source, or
foundation, to which the functions and attributes of Apollo and Taht (or the
lunar Horus) can be referred, and by which the characters may be satisfactorily
explained. The relationships of Apollo to Zeus, are exactly like those of Taht
to Osiris, the supreme being. It is Taht who gives the Ma-Kheru, or Word of
Truth, to the sun-god himself. As representative of Ra, his lunar logos, his
light in the darkness, he is the Word whose promise is fulfilled and made truth
by the Supreme Being, the sun that vivifies and verifies for ever. By his Word,
he drives the enemies from the solar horizon, the insurgent powers of darkness
which are fighting eternally against Ra. This is the character of Apollo
as the defender of heaven against every assault. These powers of darkness,
continually in revolt, ever warring with the sun, were called the giants which Taht-Khunsu, the
giant-killer, slays by night, or during the lunar eclipse. Apollo also figures
as the destroyer of the giants who were at war with heaven. It is said in the
Egyptian texts that Ra created this god, Taht, as "a beautiful light to
show the name of his evil enemy," i.e., Sut-Typhon, the eternal
enemy of the sun. He held up the lamp by night that made the darkness visible;
showed the name, the face, the personal presence, of his lurking foe. This also
is a character of Apollo, as a representative and kind of deputy providence for
Zeus. Apollo is god of the bow! Taht carries the bow of the crescent moon upon his
head! Now the hero in the folk-tales who is always successful in drawing the
great bow in the trial where all his competitors fail, is this god of the
new moon, who alone can bend the bow, or bring the orb to the full circle
of light once more. He can be identified in the Hindu form of the Mythos as
Krishna "with the Bow of Hari." The crescent on the head of Taht is
the bow prepared and ready to be drawn to the full against the power of night,
and every form of evil that dwells in the darkness. Thus the lunar
representative of Ra, with the bow of the young moon on his head, who prepares
it month after month, and draws it to the full circle night after night, may be
called the preparer of bows; and in Egyptian the name Apuru signifies a preparer
of bows; it also means the Guide and Herald. As the u in Egyptian stands for o,
and r for l, we have Apuru=Apollo; the preparer of bows=the god of the bow as
male divinity of the moon, who was the offspring of the sun and moon, the bowman
of the solar god. Mr. Gladstone doubts whether the root of Apollo is Greek, and
says he would not be surprised to find it Eastern. All the evidence tends to
prove it Egyptian by nature and by name. Apollo is the god of knowledge, past,
present, and to come; Taht is the deity of knowledge, past, present, and
future--the founder of science, lord of the divine words, and secretary of the
gods. Apollo is the god of poetry and music. So was Taht. He is the psalmist and
singer; he is fabled to have torn out the sinews of Sut-Typhon to form the
lyre--the lyre or harp with seven strings being an image of the new moon, like
the bow. Apollo was the god of healing. Taht is the supreme physician and healer;
"He who is the good Savior," as it is written on a statue in the
Leyden Museum. Apollo was the bringer of death in a form that was serene and
beautiful, as became the lunar Lord of light, and enlarger of the lunar light to
the full,--the character and function being afterwards applied to the light of
life that suffered the passing eclipse of death. One name of Taht is Tekh, which
signifies to be full! Of course the Greeks did not simply take over the Egyptian mythology intact,
nor did they preserve the descent quite pure on any single line. In re-applying
the legendary lore, derived from Egypt, to the same phenomena in nature, there
would be considerable mixture, amalgamation, change of name, and consequent
confusion. The blind Horus of Egypt reappears as the blind Orion in the Greek
mythos. This is as certain as that the constellation of Orion, the star of
Horus, was named Orion after Horus! His lunar relationship is shown by the
recovery of his sight on exposing his eyeballs to the rays of the rising
sun,--just as the eye of Horus was restored to him through the return of light
at dawn. Horus in his lunar character is one with Taht and Khunsu in the other
cults; that is, the lunar child may be Horus as son of Osiris, or Taht as the
offspring of Ra, or Khunsu as the child of Amen; the myth being one in different
religions. It follows that so far as Orion is identical with Horus he is also,
or once was, identical in character with the lunar Apollo, and therefore like
him of twin-birth with Artemis. Links of this lunar relationship remain. He
lives and hunts along with Artemis when his sight has been recovered. He was
beloved by Artemis and slain by her because he made an attempt upon her
chastity--which is a common charge brought against the man in the moon
mythology! The bringing on of the lunar mythos upon two different lines of descent, Apollo being a continuation of Taht-Khunsu, and Orion of Horus, would account for the later mixture in the relationship of the various personations--the fact in nature being represented under different names for the same character in mythology, as it had been previously in Egypt.
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